A gloriously edgy, laugh‐out‐loud confessional hits the Edinburgh Festival. The only show at the Fringe where the audience can win £700 Oasis tickets for Murrayfield.
LP Kent invites audiences to unload their most scandalous and hilarious stories as part of her debut show: “My boyfriend paid £700 for Oasis tickets then left me when I refused to get him cocaine. What’s your story?”
Each night, festival‐goers will share their own cautionary tales live on stage. The filthier, funnier and more disastrous, the better. And the best story from the whole run – chosen entirely by LP Kent’s questionable decision-making skills – wins the titular tickets: two standing tickets to Oasis at Murrayfield on 8th August.
This is a comedy show about sharing our truths and standing up to ridiculous demands, whether from people you love or 90s Britpop bands. Expect confessions, chaos & truth-bomb explosions. Will your story be the one everyone remembers?
About LP Kent
This is LP Kent’s Edinburgh debut. She is more often found promoting events and compering cabaret in London. Horrified by resale ticket prices, LP has combined a desire to find a truly deserving recipient for the tickets, and her comedic storytelling skills, with her passionate belief that sharing our stories can save our lives.
LP is also being filmed for a short documentary about what it’s like to put on her first Edinburgh show in less than a month.
#DareToDiscover your next favourite show – Edinburgh Festival Fringe
Today marks the official start of the 2025 Edinburgh Festival Fringe, which will run until Monday 25 August.
Edinburgh Fringe Programme Launch 2025
This August will feature 54,474 performances from 3,853 shows* (3,352 within the printed programme). Since programme launch on 03 June, 501 more shows have registered and are now searchable on edfringe.com and in the official Fringe app. Artists from 63 countries will be represented on the Fringe’s stages, with 1,118 shows from Scotland and 829 from Edinburgh itself.
The Fringe vision is to give anyone a stage and everyone a seat, and that includes keeping the Fringe affordable. This year’s average ticket price is just over £13, ensuring Fringe audiences can experience a variety of work at an accessible cost.
The Fringe Street Events programme began this morning and will run from 11:00 every day until 24 August, with world-class performers taking to the Royal Mile and Mound all day, offering something for everyone. This year the Fringe also welcomes the return of ‘Innis & Gunn on the Mound’, with the famed Scottish brewery hosting a vibrant food and drink village amidst the street events action on the Mound.
The Fringe Society supports artists by facilitating a range of services: so far this year the Media Office has accredited over 900 reviewers, editors, journalists and broadcasters from 30 countries, who will be instrumental in boosting artists’ profile. In addition, to date, some 1,400 arts industry professionals from 58 countries have accredited, and will be on the lookout for shows at the Fringe to offer onward touring or TV and film adaptation opportunities. Fringe Central is also fully open to support all artists performing at the Fringe this summer, with a programme of events tailored to help performers at any stage of their career, and free mental health support for artists returns in partnership with Health in Mind.
Tony Lankester, Chief Executive of the Edinburgh Festival Fringe Society, said: ‘This is my first Fringe as the Fringe Society’s Chief Executive, so this is an incredibly exciting moment – I’ve attended the Edinburgh Fringe before, but never in such a front-row seat!
It’s taken a lot of people a lot of work to get us to this moment, so I’d like to thank everyone who has a hand in making it happen. That includes the venues around the city; the local businesses, stakeholders and officials; the wonderfully warm and welcoming people of Edinburgh; the members of the media and the arts industry who make this festival such an important part of the calendar for participating artists; and of course the indefatigable and undefeatable artists themselves, without whom there wouldn’t be a Fringe at all. We’re so grateful that you’ve chosen to be here this year, and I encourage any and all prospective audience members to go out, enjoy the festival and dare to discover the amazing work on offer.’
New shows added since programme launch (03 June)
Below is a small representative sample of shows that have registered since programme launch on 03 June. The full list of shows at this year’s festival can be found at edfringe.com.
At Saint Stephen’s Theatre, director Peter Schaufuss presents Romeo & Juliet, ‘celebrating the anniversary of Sir Frederick Ashton’s Olivier Award-nominated choreographic masterpiece in a unique Shakespearian candlelight performance setting’. Jéssica Teixeira presents Monga at Assembly, crafting ‘a mosaic out of philosophical reflection, infectious songs, radical performance art and humour’. At Traverse, Lucky Tonight! is ‘an interactive pub quiz-cum-theatre show’ in which ‘quizmaster extraordinaire (and former contestant of The Chase) Afreena will put you through your paces to help tell her story’. ‘Through movement, hand-knitted costume and visual metaphor, Weaving Me, Weaving Mum (C Arts) tells an intimate story of female growth, trauma and reconciliation, drawn from the director’s personal experience across generations’. Ants and Other Strong Things (theSpaceUK) is ‘a gripping queer sci-fi romance thriller set thirty years in the future, in a high-surveillance state waging war against the LGBTQIA+ community’. And at WU, GENDAI is ‘a Japanese laser show combining custom-made paper costumes, expressive body performance and original music featuring traditional Japanese instruments’.
Sanctum of Shadows at Leith Arches is ‘an immersive physical theatre performance that invites the audience into the final hour before a girl’s death’. In The End is Near at St James Church Leith, ‘three women from three different centuries find each other at their worst hour. Janet is accused of witchcraft in 1661 Edinburgh, Caroline is an arrested suffragette in 1911 London and Lauren is fighting for her reproductive freedom in 2028, in America.’ Beggared at The Bowlers Rest ‘tells the story of a privileged white South African whose life collapses into homelessness… [and] finds refuge in a township where the spirit of Ubuntu – a philosophy of shared humanity – challenges his racist indoctrination’. And Riot Reveals Cabaret promises ‘burlesque, comedy, magic, drag and live music all under one roof at the iconic Leith Depot’.
At Deaf Action, ‘Deaffy Drag Queenies Mary and Danielle bring outrageous fun, cheeky charm and deaf queer pride to the stage using BSL and Gay Sign Variant (GSV)’ in Deaffy Drag Queeny: Glitter, Gags and GSV. Harmony’s Heavenly Show – The Fun and Fabulous Drag Variety Show at Just the Tonic ‘blends singalongs, original songs, musical theatre, opera and heartfelt storytelling – with the “true” story of two drag queens as they belt, banter and bare their soul in a glitter-drenched journey for your entertainment’.
The entire Edinburgh International Film Festival programme is now live on edfringe.com and in the EdFringe app – among the screenings is EIFF: Deaf / Bumblebee(Filmhouse), a double-bill exploring themes of parenthood and disability.
‘Linus Karp and Joseph Martin, the duo behind The Fit Prince, Gwyneth Goes Skiing and Diana: The Untold and Untrue Story are getting gay married’ onstage in Awkward Prods Get Married (But For Real) at Pleasance. Abby Govindan explains How to Embarrass Your Immigrant Parents at Monkey Barrel Comedy, offering ‘an hour of hilarious storytelling that explores a pertinent universal theme: wanting to understand your parents but struggling to see eye-to-eye’. In Bed With… Harriet Kemsley (Hotel Indigo, York Place) ‘is a bold, close-up and relaxed comedy experience from one of Britain’s rising comedic stars’. Nicola and Rosie Dempsey (better known as Flo & Joan) bring The Birds, The Birds! (WIP) to Shedinburgh, in which ‘the Old Woman Who Lives in a Shoe finally sits down to write a rebuttal to the person who penned the poem that made her famous’. And ‘Shuang Teng and Rabiah Coon team up for a hilarious split bill show that dives into the awkward, surprising and sometimes absurd realities of life in the UK’ in Asian American Cultural Confusion at Laughing Horse.
Joy of Spines is a spoken word performance that ‘not only reveals the broad and deep collecting practices of the National Library of Scotland, but also tells the story of who we are as a species’. Panmure House hosts two debates on AI as part of its Panmure House Debates 2025: AI and Education and AI and the Workplace. And poetitian Lucy Aphramor serves up ‘a fiery fusion of wordsmithery, trans joy, compassion and queer nutrition science’ in Taking the Biscuit Back at PBH’s Free Fringe.
Samba Sene and Diwan + Makossa (The Famous Spiegeltent) promises ‘a double bill of the best African sounds from Scotland – an evening of exuberant afrobeat, mbalax, ska, reggae dance grooves’. Funk & Order: Cop Show Hits (The Jazz Bar) is ‘performed by Edinburgh’s finest, laying down the law with unmatched precision, tight grooves and a rhythm section that’s always one step ahead of the bad guys’. And as part of the Welcome to the Fringe Palestine series, the Arab a Dub DJ Set at Portobello Town Hall is ‘a journey through the vibrant pulse of Palestinian culture, bringing together traditional dance with cutting-edge underground sounds’.
*edfringe.com listings include shows which may be performing across multiple spaces and also shows which have been cancelled but may appear within the printed Fringe programme.
The story of six working-class Wirral teens that shook the British Indie scene
J6 Films is delighted to share that Dreaming of You: The Making of The Coral will have its sold out World Premiere at Sheffield Doc Fest on 21st June. Due to popular demand, additional screenings have now been added on 22nd June for the definitive documentary on the hit Merseyside band The Coral.
“If you’re going to tell the story of “If you’re going to tell the story of The Coral, then it would be about growing up. An adventure that led to an album.” Nick Power, The Coral
Dreaming of You: The Making of The Coral follows the story of six childhood outsiders from Merseyside as they transform into one of the most influential British guitar bands of the new millennium. Their high-energy blend of psychedelic rock ‘n’ roll revitalising the doldrums of the post-Britpop music scene.
Narrated by the band, the film is an immersive experience that creatively combines reconstruction, archive footage, and animation to capture the early 2000s era through the eyes of six northern teenagers, who together created their own strange, endlessly creative escapist universe. As the friends leave their sleepy seaside hometown of Hoylake in pursuit of musical glory, the spotlight eventually finds them but is it fame they’re after or is it just being together?
With appearances from iconic indie bands The Lightning Seeds, The Zutons and Tramp Attack, Dreaming of You: The Making of The Coral is a dreamscape of friendship, fame and fuzzy guitars. The film commemorates The Coral from their working-class Merseyside roots, through their rise in Liverpool’s Bandwagon Scene, going on to become one of the UK’s most influential bands.
“The First incarnation of the band was a Ghosthunting business” James Skelly, The Coral
For director James Slater, the creative direction for the film was as important as the story itself, speaking on this James said
“I wanted Dreaming of You to be an immersive experience—one that transports us back to Northwest England in the late ’90s and early 2000s. …The visual aesthetic of the film is further enhanced by the formats used to shoot both the GVs and reconstructions—Mini DV, Hi-8, 16mm, and 8mm—all mediums that were used to document the band at the time. This rich visual tapestry is accompanied not only by the band’s musical archive but also by a layered sound design that further immerses us in the era, embedding us deeply within the time and place.”
On celebrating the sold out World Premiere at Sheffield Doc Fest, director James Slater commented “It’s an honour to be part of Sheffield DocFest, especially alongside such an incredible line-up of films. Dreaming of You is a northern coming-of-age story at heart, so it feels especially fitting for the journey to begin here…”.
Screening Details
World Premiere Sat 21 June at 12:30 Showroom
Extended Q&A with director James Slater and the band The Coral.
The Coral formed on the Wirral, Merseyside, in the mid-nineties. Emerging from Liverpool’s vibrant late-’90s garage rock scene, they quickly caught the attention of Alan Wills, who, captivated by their eclectic sound, founded DeltaSonic Records around them. Their 2001 debut single, Shadows Fall, earned national recognition, and they were soon hailed as pioneers of a new wave of rock ’n’ roll energy—an antidote to the stagnation of the post-Britpop era.
Their self-titled 2002 debut album, featuring the now-iconic single Dreaming of You, was nominated for the Mercury Music Prize and named the best album of the year by NME. They followed it up with Magic and Medicine (2003), a critical and commercial triumph that topped the UK charts and produced four Top 20 singles, including Pass It On, Bill McCai, and Don’t Think You’re the First.
Over three decades, The Coral have remained one of the UK’s most enduring and consistently inventive bands. They have released eleven studio albums, including The Invisible Invasion (2005), Roots & Echoes(2007), and Coral Island (2021), blending elements of psychedelic folk, Garage folk, with their own unique brand of haunting dreamlike melody. Their influence can be heard in the work of later British indie acts such as Arctic Monkeys and Blossoms, who credit The Coral with shaping their sound.
Still together after 30 years, The Coral continue to evolve while maintaining their blend of melody, storytelling, and experimental edge—securing their place as one of the most distinctive and influential British bands of their generation.
James Slater
James Slater, Director’s Statement:
In December 2002, my friend Neil showed up at my flat in Toxteth, Liverpool, beaming. Alan Wills, manager of Britain’s hottest new band, The Coral, had called— they wanted us, two broke, DIY music video directors, to shoot their next promo.
The single was Don’t Think You’re The First, a haunting, psychedelic shuffle. The label had planned a £50k video, but the band, skeptical of industry gloss, scrapped it in favour of our lo-fi, Mini-DV approach. We arrived at the shoot with two camcorders strapped to a plank—our makeshift Steadicam.
The Coral were a gang—insular, tight-knit, and uninterested in industry games. But once you were in, you were in. That job changed everything. Within weeks, we were in L.A. filming Pass It On, then in Holland for Bill McCai, always just Neil, me, and a spare pair of hands. Our scruffy, no-tech videos somehow fit perfectly between the polished promos on Sony’s roster.
My filmmaking career started with The Coral, and in many ways, always leads back to them. So when James Skelly approached me to make a film celebrating their debut album, it felt inevitable. I dug out my old Mini-DVtapes, picked up boxes of scrapbooks, and pieced together a story.
Footage of backyard wrestling matches, kung fu films, and Easy Rider remakes (retitled Lazy Rider on the Wirral) revealed a band rooted in friendship—a group of misfits who just wanted to play music together. In interviews, a clear story emerged: they weren’t chasing fame, they were chasing greatness. Rob Stringer, head of Sony, once told me, They could’ve been massive, but they didn’t want it. He was right. They didn’t want to be the biggest—just the best.
Even today, artists seek me out because of my work with The Coral. They’re one of the most influential British guitar bands of the new millennium, and I hope this film shines a light on a group that deserves far more recognition.
About J6 Films:
J6 Films is a production company and a collective of critically acclaimed directors.
Director: James Slater
Featuring: The Coral: James Skelly, Paul Duffy, Nick Power, Ian Skelly, Paul Molloy,
Past members: Bill Ryder-Jones, Lee Southall and Alan Wills, Rob Stringer (Sony), Ian Broudie (The Lightning Seeds), Dave McCabe (The Zutons), Supergrass, Oasis
CUBA & ALASKA Director Yegor Troyanovsky, currently serving in Special Forces of the Armed Forces of Ukraine, will be present for the film’s Q/A
Ukrainian Army frontline medics ‘Cuba’ and ‘Alaska’, the two stars of the feature documentary, are already in-person at the festival
See-Through Films has confirmed Filmmaker Yegor Troyanovsky, whose feature documentary CUBA & ALASKA is world premiering at Sheffield Doc Fest, is currently traveling to Sheffield from his active military service in the Ukraine Army’s Special Forces.
As of late Thursday, June 20, 2025, Troyanovsky had successfully crossed the Ukrainian border and was expected to arrive at the festival in time for the film’s second screening Q/A. The screening is scheduled for Saturday, June 21st at The Light-Screen 9, at 10:15am.
The film profiles best-friends “Cuba” & “Alaska”, two wisecracking medics on Ukraine’s frontline, living the same battlefield story as all soldiers: slowly losing connections with friends, family and their previous lives the longer they stand up for Ukraine. In a place where laughter is armor and friendship is survival, can the two ever go back to the life they used to know?
‘Cuba’ (Yulia Sidorova) and ‘Alaska’ (Olexandra) had already arrived in the UK ahead of the film’s world premiere screening on Thursday, June 19, 2025. Both were welcomed at the Ukrainian Embassy in London by the Ukraine Ambassador.
“”It is a great honor for me to meet the heroines of this deep and sincere film. These women are true symbols of the strength of the Ukrainian people. In the most difficult times, they demonstrate courage, resilience and boundless love for Ukraine. Their stories are about the struggle for freedom, dignity and life. It is thanks to such people that Ukraine holds on, and the world sees that we are fighting not only for our land, but for values common to all civilized humanity. I thank the authors of the film for this extremely important work, which helps Europe and the world better understand Ukraine and its indomitable people,” said General Valerii Zaluzhnyi, Ambassador of Ukraine.
CUBA & ALASKA is a raw and intimate profile of two Ukrainian medics from the frontlines of the war that captures the funny; the arcane, and the painfully tragic times that make up a soldier’s emotional journey during wartime. Body cams, cell phones, and the director’s camera fill in the story between the constant danger, bouts of survivors’ guilt, and a longing to ‘go back’ – to return to the life they had when dreams were still possible. Fueled by the enormously contagious laughter from Cuba, and the dark black humor of Alaska, the two best friends face down the unknown together with a warrior fierceness befitting Thelma & Louise.
Opportunities Recap For Debutants and Emerging Creatives
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