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Step Into the “Dream Space” – Where Imagination Comes To Life At Edinburgh Festival Fringe!

Edinburgh Fringe: Dream Space opens from 31 July at Assembly George Square – The Crate. It’s a non-verbal puppet theatre from Koreafull of imagination, emotion, and visual poetry.

Dream Space takes you to a magical world where the everyday turns into something amazing. With puppets, music, and movement, you’ll go on an exciting island adventure and meet a gentle, powerful whale.

This special show is for children aged 5 and up and mixes fun, wonder, and healing. Children will be inspired to dream, and adults may feel a bit of childhood joy return. As imagination and reality blend, the stage becomes a place where stories come to life. Come with us on a one-of-a-kind journey where dreams soar and anything can happen!

Dream Space was created by South Korean artist Jin-young Son and his team, SSAK. After witnessing the 2014 Sewol ferry tragedy, Son wanted to bring hope and healing to family audiences. He uses puppets to bring people together through imagination, laughter, and comfort.

“An unforgettable journey through emotion and imagination. A rare gem in Korea’s contemporary theatre.” ★★★★★ Korea Theatre Festival

“Locally rooted, globally resonant. A poetic and powerful celebration of life through puppetry.” ★★★★★ Gangbuk Foundation for Arts & Culture

AWARDS

2024 Invitation Performance Appointment Certificate, Gangwon Winter Youth Olympic Games

2023 Korean Cheongchun Mic – Excellence in Performing Arts Award

2019 Certificate of Appreciation from Dobong-gu Mayor, Cultural City Dobong Planning Project

2018 Gold Prize, Incheon Children’s Theater Festival

Show Title: Dream Space

Venue: Assembly George Square, The Crate

Time: 13:25hrs

Dates: Thu 31 Jul – Sun 24 Aug 2025

Tickets: 31 Jul: £8.00 / 1-5, 8-10, 15-17, 22-24

Aug: £13.50 / 6-7, 12-14, 19-21 Aug: £12.50

Bookings: www.assemblyfestival.com or 0131 623 3030

Edinburgh Fringe Festival Debut, Big Little Sister

Big Little Sister: Holly Gifford’s Edinburgh Fringe Festival Debut

Holly Gifford’s Edinburgh Fringe Festival Debut, Big Little Sister, is a darkly funny and emotionally sharp solo play about growing up in someone else’s shadow — when that someone is your sibling
with disabilities.

Big Little Sister cuts through the cliches of “inspirational” sibling stories. Through surrealist storytelling, monologue, and multimedia, including dialogue voiced by her brother’s communication aid.
Supported by Keep It Fringe, this production is a tribute to the “glass children”— the term coined to represent ‘invisible’ siblings who grow up in the shadows of siblings with additional needs.

But what happens when this glass child cracks?
As the story unfolds, she begins to question what it means to speak on behalf of her brother. By using his literal voice, is she becoming the very filter she set out to challenge—the one that makes their lives palatable?

The show was born out of writer / performer Holly Gifford’s lived experience and desire to challenge those who benefit from the stereotypical, motivational ‘content’ we create around those with
disabilities. Equally, who are the beneficiaries of keeping these real stories silenced?

Big Little Sister is a tribute; to growing up alongside someone profoundly different, and to the defiant joy stitched in the seams of grief and guilt.

Holly Gifford is a Bristol-made, London-based writer and performer. Gifford creates new work blending theatre, comedy, and multimedia to tell emotionally complex stories with a sprinkle of social commentary. Big Little Sister is her debut solo show. Gifford’s voice is honest, self-aware, and deeply compassionate.

Big Little Sister is directed by Scarlett Stitt, a London-based actor, writer, and theatre-maker known for her bold and dynamic work across film, television, and stage. At the 2023 Edinburgh Fringe, she co-created and performed in Kissing A Fool, a queer clown-cabaret exploring George Michael’s journey through grief and creativity. The show later transferred to the Soho Theatre. Alongside Gifford, Stitt also runs and hosts drag cabaret nights at the Yard Theatre with their collective,
@haus0fintrusivethots.

Big Little Sister is produced in partnership with Stoke The Embers and Honey Theatre, and is supported by Collective Acting Studio, Soho Theatre Edinburgh Lab and was first developed with the National Youth Theatre.

Audience testimonials:

‘It was beautiful. As someone who’s sister is autistic, I could relate to a lot of the themes of siblings having to act as parents and the resentment that can build. This play navigated that experience with such thoughtfulness, that I was on the verge of tears by the end.’ – Jahrhys Greenidge

‘The truth, the originality, the story that’s what made it powerful. Holly brought realness. A raw, unfiltered connection. You felt her love for her brother in every word, every breath. There was no performance, only presence. She didn’t just tell a story she invited us into it. And we followed, willingly, because it was honest.’ – Michelle Hope

‘A beautiful, intimate and hilarious sharing of sibling love.’ – Tamara Davis

This intimate play invites audiences into a world of shared madness, lack of control, and abundant love.

Title: Big Little Sister
Venue: ZOO Playground (Playground 2) (Venue 186)
Tickets: Mon-Thu £12 (£11), Fri-Sat £13 (£12)
Previews: 1-3 Aug 2025 Dates: 5-24 Aug 2025 (not 11, 18)
Time: 10:35am (1h)
Guidance: 12+
Box Office: 0131 356 0349,
Website: https://www.edfringe.com/tickets/whats-on/big-little-sister
Instagram: @hollylarag

Edinburgh Festival Comedy: A Work in Progress with Eryn Tett

‘Eryn Tett Finds Her Audience’ At Edinburgh Festival Fringe

Following her debut show, ‘Eryn Tett Finds Her Audience’ (RVK Festival ‘Funny Fringe Award’ winner/British Comedy Guide’s Top 40 Comedy Shows of 2022), Eryn Tett is developing her next hour: an experimental, immersive comedy packed with her uniquely off-kilter perspective and trademark offbeat jokes.

Expect facts, ceremonies, and a non-stop handshake that may or may not evolve into everyone making out (that’s up to you). All of it is made possible by a not-at-all ominous megacorporation that’s changing the world (for the better).

Born and raised in Singapore, Eryn moved to the UK to pursue comedy. After making her mark on the competition circuit with her distinctive style, she was diagnosed as autistic — a discovery that both validates and celebrates her offkilter perspective, and allowed access to nurturing environments where she has truly thrived.

She was recently featured on U&DAVE’s Rosie Jones’ Disability
Extravaganza
and hired as a writer on the CBBC/RTE show Pablo (an autistic-led children’s animation). Her comedy has taken her to New Zealand, New York, and Iceland, but her true new home is Manchester — the headquarters of the greatest megacorporation on Earth: The Global Megacorp Institute of Manchester (GMIM)

GMIM holds the secret to financial bliss, community loyalty, and changing your life (for the better). The benevolent GMIM CEO has revealed the truth: on December 15, 2027, the global economy will crash, and GMIM coin will take over. Now is the time to invest in yourself and your future before it’s too late.

Known for her strange and sharp one-liners, Eryn Tett’s clowning and play take centre stage in this new work-in-progress: a genre-bending, reality-warping immersive satire of cults, comedy today, and the commodification of human connection.

The show took home the Cork Fringe Favourite Award at the RVK Fringe this year and continues to evolve under the generous sponsorship of the Global Megacorp Institute of Manchester: Once-in-a-lifetime opportunities. Every. Single. Day.

ERYN TETT

As seen on U&DAVE, BBC3, CH4 Playgrounds
**** Mumblecomedy **** The Wee Review
**** Funny Women **** Neurodiverse Review
RVK Fringe: ‘Cork Fringe Favourite’ 2025 WINNER
RVK Fringe: ‘Funny of the Fringe’ 2023 WINNER
Neurodiverse Review ‘Actually Autistic Excellence Award’ 2022

SHORTLIST
British Comedy Guide’s ‘TOP 40 SHOWS OF 2022’
The Times + The Guardian’s 2022 BEST JOKES OF THE FRINGE
Greater Manchester Fringe ‘Best Show’ 2022 NOMINEE
Chortle’s ‘Comedy ones to watch 2022’ SHOUTOUT
Cherry Comedy Breakout Act of the Year 2020 WINNER
Funny Women Awards 2020 2ND PLACE
Mister Tibbs Film Fund 2025 FINALIST
Girls in Film X Inclusivity Films 2025 LONGLIST
5050/Fulwell 73 Comedy Shorts Comp October 2021 WINNER
Funny Women Comedy Shorts 2020/2021/2022 SHORTLIST

Title of Show: Eryn Tett is Sponsored by the Global Megacorp
Institute of Manchester (WIP)
Venue: Laughing Horse Free Fringe-The Snug @ Bar50
Time: 3.45pm
Dates: 13TH – 17th August

“Chaotically bonkers…truly one-of-a-kind comedic experience” Blizzard Comedy

“Compulsive viewing of the highest order” –Mumblecomedy

“Memorable, distinctive new voice” –The Telegraph

“Absurd and original jokes…so much originality and commitment to innovation” –Funny Women

Victorian Railway Treasures On Display, As Edinburgh Festival Fringe Is Underway.

An exhibition marking 200 years of rail travel opens its doors today at National Records of Scotland (NRS)

Crown copyright, National Records of Scotland

“Scots on the Move: Railways and Tourism in Victorian Scotland” is free to visit in the Adam Dome at General Register House on Princes Street.

Part of Edinburgh Festival Fringe, the exhibition reveals how steam trains revolutionised Victorian Scotland between 1837-1901.

Crown copyright, National Records of Scotland

Visitors can browse treasures from the national archives including train tickets, timetables, posters, colourful tourist guides, private letters and photographs.

Crown copyright, National Records of Scotland

The items on display show how rail transformed holidays from an elite privilege into a pastime for all. The Victorian railways connected communities, spawned iconic routes like the West Highland Line and helped create a whole new industry – tourism.

Crown copyright, National Records of Scotland

The exhibition also explores Victorian reactions to the rail revolution, from anti-rail protest pamphlets to private letters describing newfound freedoms.

Crown copyright, National Records of Scotland

Outreach Archivist Veronica Schreuder said:

“This exhibition draws on National Records of Scotland’s vast Scottish railway archive – the largest in existence. These unique records transport visitors directly into the Victorian era, revealing how steam trains didn’t just change how people travelled – they transformed Scottish society itself.

A highlight for me is an original timetable recording one of Queen Victoria‘s final train journeys from her beloved Balmoral to Windsor in 1899.

I hope visitors will come and visit us in the Adam Dome, a magnificent architectural gem and one of Edinburgh’s best kept secrets, just across from Waverley station.”

Crown copyright, National Records of Scotland

Three free talks will accompany the exhibition, exploring Scotland’s tourism history, the first railway construction, and aristocratic influence on railway development. The talks will be held at General Register House, with online recordings made available where possible.

The exhibition runs weekdays 9:00-16:00 until 26 September in the Adam Dome, with late opening until 18:30 on 7 and 21 August. Entry is free and the exhibition is suitable for ages 12+.

Find out more on the National Records of Scotland website.

Candice Fox, Cheers, Mom! Eulogy for a Living Parent

NYC-based writer, filmmaker and performer Candice Fox is bringing her show, Cheers, Mom! Eulogy For a Living Parent to the 2025 Edinburgh Festival Fringe.

Following themes from much of her work exploring addiction, family dynamics and the complexities of human relationships, Cheers, Mom! is a wild, hilarious solo show about grief, love and mommy issues. Fox dives into the chaos of loss and a complex mother-daughter saga, blending raw storytelling with striking visuals. 

She examines grief in its messy glory, awkward moments and accidental wisdom, navigating the strange ways we stumble forward. This show isn’t just about death, it’s about mourning someone still alive, dealing with estrangement and how addiction distorts family history. Deeply intimate, darkly funny, Cheers, Mom! Is cathartic, relatable and unexpected. You’ll laugh, cry and probably text your mom something unhinged afterward!

Candice Fox, Writer/Performer: 

Candice Fox is a writer, filmmaker, and performer based in New York City. Her films have screened at international festivals including the New York Movie Awards and Paris Film Awards, and her essays appear on Medium’s leading mental health platform, Invisible Illness. In addition to publishing the poetry collection Mental Maps, she is also currently working on a feature-length documentary exploring a personal and life-altering trauma. 

Preston Mui, Director:

Preston is a multidisciplinary performer who has been on Broadway in Hamilton since 2019, bringing nearly 30 years of experience in dance, acting, and stagecraft. Raised in San Francisco, he trained in singing, martial arts, and dance from a young age, studying at the Ruth Asawa School of the Arts. His career spans TV, film, live stage, and 360 video, with performance credits alongside icons like Janet Jackson, Britney Spears, and John Legend. Preston’s work blends music, movement, and visual storytelling to create deeply immersive experiences.

Reed Luplau, Movement Direction: 

Reed Luplau is an Australian-born dancer, choreographer, and performer whose career spans Broadway, film, opera, and contemporary dance. He has performed with renowned companies like Sydney Dance Company and Stephen Petronio Company, and appeared in Broadway productions including Moulin Rouge!, The Great Comet of 1812, and Fiddler on the Roof. Reed’s choreographic work includes Head Over Heels, Broadway Bares, and an ASL production of Spring Awakening. He is currently the co-creator and director of When We Touch, a dance narrative exploring a mother-son relationship under a repressive regime.

WHEN: August 1-17 at 13:30 (no show the 4th or 11th)

WHERE: C Venues – Aquila Studio

Roman Eagle Lodge, 2 Johnston Terrace, Edinburgh

“Brutally honest – razor-sharp – and laugh-through-your-tears funny.” – Theatre Beyond Broadway