Are you a music artist looking for a unique platform to share your creations and connect with a passionate audience? Rara Avis invites you to submit your music for consideration in our upcoming Quarterly Collective Listening Party!
Our listening parties are an exclusive opportunity for artists to showcase their work in a curated, intimate setting. We’re building a community of engaged listeners eager to discover new sounds and appreciate the artistry behind the music. If you’re ready to reach new ears and spark meaningful conversations about your tracks, we want to hear from you.
What We’re Looking For
We welcome submissions from artists across all genres and stages of their careers. Whether you’re an emerging talent or an debutant artist, we’re seeking music that is:
Original and high-quality: Your best work, professionally produced and mixed.
Engaging and compelling: Tracks that tell a story, evoke emotion, or simply make people move.
Diverse in style: We’re committed to showcasing a wide range of musical expressions.
Why Participate?
Reach a dedicated audience: Your music will be featured and discussed by a community of enthusiastic music lovers.
Gain exposure: Increase your visibility and attract new fans.
Receive valuable feedback: Spark conversations and gain insights into how your music resonates with listeners.
Be part of a unique experience: Connect with fellow artists and industry enthusiasts in a supportive environment.
How to Submit Your Music
Ready to share your art with Rara Avis? Here’s what you need to do:
Prepare your track(s): Ensure your submission is of the highest audio quality.
Fill out our submission form: We’ll need some basic information about you and your music.
Share your passion: Tell us about your creative process and what makes your music unique.
Don’t miss this chance to have your music heard and celebrated. Submit your tracks today and become a part of the Rara Avis experience!
The story of six working-class Wirral teens that shook the British Indie scene
J6 Films is delighted to share that Dreaming of You: The Making of The Coral will have its sold out World Premiere at Sheffield Doc Fest on 21st June. Due to popular demand, additional screenings have now been added on 22nd June for the definitive documentary on the hit Merseyside band The Coral.
“If you’re going to tell the story of “If you’re going to tell the story of The Coral, then it would be about growing up. An adventure that led to an album.” Nick Power, The Coral
Dreaming of You: The Making of The Coral follows the story of six childhood outsiders from Merseyside as they transform into one of the most influential British guitar bands of the new millennium. Their high-energy blend of psychedelic rock ‘n’ roll revitalising the doldrums of the post-Britpop music scene.
Narrated by the band, the film is an immersive experience that creatively combines reconstruction, archive footage, and animation to capture the early 2000s era through the eyes of six northern teenagers, who together created their own strange, endlessly creative escapist universe. As the friends leave their sleepy seaside hometown of Hoylake in pursuit of musical glory, the spotlight eventually finds them but is it fame they’re after or is it just being together?
With appearances from iconic indie bands The Lightning Seeds, The Zutons and Tramp Attack, Dreaming of You: The Making of The Coral is a dreamscape of friendship, fame and fuzzy guitars. The film commemorates The Coral from their working-class Merseyside roots, through their rise in Liverpool’s Bandwagon Scene, going on to become one of the UK’s most influential bands.
“The First incarnation of the band was a Ghosthunting business” James Skelly, The Coral
For director James Slater, the creative direction for the film was as important as the story itself, speaking on this James said
“I wanted Dreaming of You to be an immersive experience—one that transports us back to Northwest England in the late ’90s and early 2000s. …The visual aesthetic of the film is further enhanced by the formats used to shoot both the GVs and reconstructions—Mini DV, Hi-8, 16mm, and 8mm—all mediums that were used to document the band at the time. This rich visual tapestry is accompanied not only by the band’s musical archive but also by a layered sound design that further immerses us in the era, embedding us deeply within the time and place.”
On celebrating the sold out World Premiere at Sheffield Doc Fest, director James Slater commented “It’s an honour to be part of Sheffield DocFest, especially alongside such an incredible line-up of films. Dreaming of You is a northern coming-of-age story at heart, so it feels especially fitting for the journey to begin here…”.
Screening Details
World Premiere Sat 21 June at 12:30 Showroom
Extended Q&A with director James Slater and the band The Coral.
The Coral formed on the Wirral, Merseyside, in the mid-nineties. Emerging from Liverpool’s vibrant late-’90s garage rock scene, they quickly caught the attention of Alan Wills, who, captivated by their eclectic sound, founded DeltaSonic Records around them. Their 2001 debut single, Shadows Fall, earned national recognition, and they were soon hailed as pioneers of a new wave of rock ’n’ roll energy—an antidote to the stagnation of the post-Britpop era.
Their self-titled 2002 debut album, featuring the now-iconic single Dreaming of You, was nominated for the Mercury Music Prize and named the best album of the year by NME. They followed it up with Magic and Medicine (2003), a critical and commercial triumph that topped the UK charts and produced four Top 20 singles, including Pass It On, Bill McCai, and Don’t Think You’re the First.
Over three decades, The Coral have remained one of the UK’s most enduring and consistently inventive bands. They have released eleven studio albums, including The Invisible Invasion (2005), Roots & Echoes(2007), and Coral Island (2021), blending elements of psychedelic folk, Garage folk, with their own unique brand of haunting dreamlike melody. Their influence can be heard in the work of later British indie acts such as Arctic Monkeys and Blossoms, who credit The Coral with shaping their sound.
Still together after 30 years, The Coral continue to evolve while maintaining their blend of melody, storytelling, and experimental edge—securing their place as one of the most distinctive and influential British bands of their generation.
James Slater
James Slater, Director’s Statement:
In December 2002, my friend Neil showed up at my flat in Toxteth, Liverpool, beaming. Alan Wills, manager of Britain’s hottest new band, The Coral, had called— they wanted us, two broke, DIY music video directors, to shoot their next promo.
The single was Don’t Think You’re The First, a haunting, psychedelic shuffle. The label had planned a £50k video, but the band, skeptical of industry gloss, scrapped it in favour of our lo-fi, Mini-DV approach. We arrived at the shoot with two camcorders strapped to a plank—our makeshift Steadicam.
The Coral were a gang—insular, tight-knit, and uninterested in industry games. But once you were in, you were in. That job changed everything. Within weeks, we were in L.A. filming Pass It On, then in Holland for Bill McCai, always just Neil, me, and a spare pair of hands. Our scruffy, no-tech videos somehow fit perfectly between the polished promos on Sony’s roster.
My filmmaking career started with The Coral, and in many ways, always leads back to them. So when James Skelly approached me to make a film celebrating their debut album, it felt inevitable. I dug out my old Mini-DVtapes, picked up boxes of scrapbooks, and pieced together a story.
Footage of backyard wrestling matches, kung fu films, and Easy Rider remakes (retitled Lazy Rider on the Wirral) revealed a band rooted in friendship—a group of misfits who just wanted to play music together. In interviews, a clear story emerged: they weren’t chasing fame, they were chasing greatness. Rob Stringer, head of Sony, once told me, They could’ve been massive, but they didn’t want it. He was right. They didn’t want to be the biggest—just the best.
Even today, artists seek me out because of my work with The Coral. They’re one of the most influential British guitar bands of the new millennium, and I hope this film shines a light on a group that deserves far more recognition.
About J6 Films:
J6 Films is a production company and a collective of critically acclaimed directors.
Director: James Slater
Featuring: The Coral: James Skelly, Paul Duffy, Nick Power, Ian Skelly, Paul Molloy,
Past members: Bill Ryder-Jones, Lee Southall and Alan Wills, Rob Stringer (Sony), Ian Broudie (The Lightning Seeds), Dave McCabe (The Zutons), Supergrass, Oasis
Rara Avis’ affiliated creative, Arsh ABG is set to debut her EP Launch at her self headlining event, Cake & Cruise Party. This Party will feature some affiliate community member creatives like, Dilo Swagz, Soundboy FA, Kween B and Blue Pinky. Other performance include music by Astral Nova and event hosting by Hype Venom.
Rara Avis Endorsement
Rara Avis is known for fostering and encouraging collaboration between emerging and debutant creatives. We believe that it is one of the best strategies for creative growth. Cross-peer networking is one of the focal ways creatives can support each others’ craft and build a formidable brand. Rara Avis endorses this event by the multi-hyphenated Arsh ABG, who doubles as a photographer and creative entrepreneur. Her sound is unique and tilts towards melancholia but with some upbeat afrobeats balance.
Birthday Celebration and Activities
The event is slated for May 16TH 2025, which intentionally falls on Arsh ABG’s birthday to mark both events.
Activities lined up include games, artist performance, food, dance and more. It starts at 11PM at an undisclosed location at Lekki, Lagos, Nigeria. It promises to be an unforgettable and very electrifying experience especially with the calibre of artists in the lineup.
Ticket
For tickets and reservation contact +2348143849440 or send an inquiry mail to admin@raraavisentertainment.com
In today’s digital age, content plays a vital role in capturing the attention of our desired audience. With the ever-increasing demand for online information, it’s becoming increasingly challenging to create content that truly resonates.
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