Monthly Archives: August 2025

Documentary, Entertainment News, Global News, THE DEBUTANT

Candice Fox, Cheers, Mom! Eulogy for a Living Parent

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NYC-based writer, filmmaker and performer Candice Fox is bringing her show, Cheers, Mom! Eulogy For a Living Parent to the 2025 Edinburgh Festival Fringe.

Following themes from much of her work exploring addiction, family dynamics and the complexities of human relationships, Cheers, Mom! is a wild, hilarious solo show about grief, love and mommy issues. Fox dives into the chaos of loss and a complex mother-daughter saga, blending raw storytelling with striking visuals. 

She examines grief in its messy glory, awkward moments and accidental wisdom, navigating the strange ways we stumble forward. This show isn’t just about death, it’s about mourning someone still alive, dealing with estrangement and how addiction distorts family history. Deeply intimate, darkly funny, Cheers, Mom! Is cathartic, relatable and unexpected. You’ll laugh, cry and probably text your mom something unhinged afterward!

Candice Fox, Writer/Performer: 

Candice Fox is a writer, filmmaker, and performer based in New York City. Her films have screened at international festivals including the New York Movie Awards and Paris Film Awards, and her essays appear on Medium’s leading mental health platform, Invisible Illness. In addition to publishing the poetry collection Mental Maps, she is also currently working on a feature-length documentary exploring a personal and life-altering trauma. 

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Preston Mui, Director:

Preston is a multidisciplinary performer who has been on Broadway in Hamilton since 2019, bringing nearly 30 years of experience in dance, acting, and stagecraft. Raised in San Francisco, he trained in singing, martial arts, and dance from a young age, studying at the Ruth Asawa School of the Arts. His career spans TV, film, live stage, and 360 video, with performance credits alongside icons like Janet Jackson, Britney Spears, and John Legend. Preston’s work blends music, movement, and visual storytelling to create deeply immersive experiences.

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Reed Luplau, Movement Direction: 

Reed Luplau is an Australian-born dancer, choreographer, and performer whose career spans Broadway, film, opera, and contemporary dance. He has performed with renowned companies like Sydney Dance Company and Stephen Petronio Company, and appeared in Broadway productions including Moulin Rouge!, The Great Comet of 1812, and Fiddler on the Roof. Reed’s choreographic work includes Head Over Heels, Broadway Bares, and an ASL production of Spring Awakening. He is currently the co-creator and director of When We Touch, a dance narrative exploring a mother-son relationship under a repressive regime.

Tickets and Info

WHEN: August 1-17 at 13:30 (no show the 4th or 11th)

WHERE: C Venues – Aquila Studio

Roman Eagle Lodge, 2 Johnston Terrace, Edinburgh

“Brutally honest – razor-sharp – and laugh-through-your-tears funny.” – Theatre Beyond Broadway

Documentary, THE DEBUTANT

Acclaimed South African One-Man Play Beggared in S.A. Makes International Premiere at the Edinburgh Festival Fringe

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Following a powerful premiere in Cape Town and widespread acclaim at South
Africa’s National Arts Festival, the gripping solo play Beggared in S.A. now makes its international
debut at the 2025 Edinburgh Festival Fringe.

Based on a true story and written by the beggar himself, Stewart Clarke, this raw and redemptive work was shaped over three years in a workshop environment with director Gideon DeWet.
Performed by South African actor Sean Higgs, the play is a searing portrayal of one man’s fall from privilege–and his transformation through the spirit of Ubuntu.

Once a white South African raised with every advantage, Clarke’s life collapses. Homeless and destitute, he takes to the streets with a cardboard sign. But hope arrives from the most unexpected place: a township shack and the poor, black South Africans who offer him more humanity than the world he once ruled. Their belief in Ubuntu–the philosophy of “I am because we are”–rebuilds him from the inside out.

“This is the story of a man who lost everything–except his soul. And maybe that was the point.” –
Sean Higgs

Performed with unflinching honesty, dark humour, and deep compassion, Beggared in S.A. is a 60-minute solo tour de force that invites audiences to question what we truly value–and who we become when the masks fall away.

A once-privileged white man loses everything in post-apartheid South Africa–and finds redemption
in the townships through Ubuntu. Based on a true story. Written by the beggar himself. Raw, funny,
haunting. Performed by Sean Higgs. Directed by Gideon DeWet

Fringe

Gideon DeWet

I bumped into Stewart Clark, a former ballet dancer and hairdresser, and he told me he was living on the street and begging by the robot (traffic light).
I told him to write it all down as I could not help him financially. He did and I spent the next two years editing and directing Stewart in the play.
After 3 performances and 2 fundraisers that raised enough money for his cataract operation, Stewart developed epilepsy and did not want to go on a stage again.

I then approached Sean Higgs to take the part of The Beggar.
Previously we met at the University of Cape Town Drama School in 1984 and have done a lot of theatre work thereafter.
We rehearsed for 6 months via Whatsapp until Sean came to South Africa and we had 2 weeks of face-to-face rehearsals before opening Beggared in Sa at The Masque Theatre. So far, a total of 19 performances in 7 venues in Cape Town and in the Eastern Cape, including the National Arts Festival, formerly known as the Grahamstown Festival.

Review: Beggared in SA, heart warming and moving play